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Music --- Musique --- Performance --- Congresses --- Exécution --- Congrès --- performances (kunst) --- muziektheorie --- Exécution --- Congrès
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Composers --- Music --- Compositeurs --- Musique --- Congresses --- Congrès --- Honegger, Arthur, --- Honegger, Arthur --- Congresses.
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Opera --- Opéra --- Congresses. --- Congrès --- Muziek --- muziekgeschiedenis --- Meyerbeer, Giacomo --- Honegger, Arthur --- Frankrijk --- Music --- France
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Conservation. Restoration --- Museum conservation methods --- Musées --- Congresses. --- Méthodes de conservation --- Congrès --- Musées --- Méthodes de conservation --- Congrès
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censuur --- Human rights --- Censorship --- Mass media --- Censure --- Médias --- Congresses --- Congrès --- Notaries --- Notaires --- 311.1 Grondwettelijke rechten en vrijheden --- Médias --- Congrès --- Congresses.
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muziekanalyse --- piano's --- muziekgeschiedenis --- trio's --- Music --- Piano --- History --- Congresses. --- Histoire --- Congrès --- Congrès --- 78.16 Lyon --- 78.43.2 --- Trio's
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symfonieën --- symfonische muziek --- Sjostakovitsj, Dmitri --- Symphony --- Music --- Symphonie --- Musique --- Congresses. --- History and criticism --- Congrès --- Histoire et critique --- Shostakovich, Dmitrii Dmitrievich, --- Congrès --- Shostakovich, Dmitriĭ Dmitrievich, --- Shostakovich, Dmitri
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The nineteenth century witnessed the birth of the public figure of the orchestral conductor. Like composers and performers, orchestral conductors registered the transformed concept of the ‘ musical work’ . Whilst the Industrial Revolution generated new types of profession, the orchestral conductor’ s career emerged, as an outcome of the greater consideration that was devoted to the act of ‘ performance’ . In the present volume nineteen scholars explore historical and sociological phenomena connected to the nineteenth-century system of performance and musical production in which the orchestral conductor worked. A number of chapters investigate the musical performances of famous orchestral conductors; conducting by renowned composers (including Berlioz, Bottesini, Charpentier, Liszt, Mendelssohn, Paganini and Rolla) and orchestral treatises for military bands. The authors featured are: Fabrizio Ammetto, Maria Teresa Arfini, Rémy Campos, Paola Cannas, Antonio Carlini, Claudia Colombati, Mariateresa Dellaborra, Gilles Demonet, Elisa Grossato, Emmanuel Hervé, Étienne Jardin, Walter Kurt Kreyszig, Naomi Matsumoto, Michela Niccolai, Fiona M. Palmer, Rudolf Rasch, Renato Ricco, Gesine Schröder, Ruben Vernazza.
Conductors (Music) --- Conducting --- Music --- Chefs d'orchestre --- Direction musicale --- Musique --- Congresses --- History and criticism --- Congrès --- Histoire et critique --- orkestdirectie --- muziekgeschiedenis --- anno 1800-1899 --- Congrès --- History --- 19th century
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Objectification and (De)humanization brings together a wealth of scholarship from across psychology and the social sciences to illuminate how we understand "human-ness" and to focus on the many ways that those human qualities are minimized--and frequently denied--in others. “They're all alike. I have no use for them. They're not like us-- they're barely human.” These statements are easily recognized as different degrees of stereotyping, bigotry, and discrimination. But psychologically speaking, these inaccurate perceptions of people show other, deeper, forces at work: objectification, the reduction of people to specific parts or functions, and dehumanization, the treating of humans as animals or inanimate objects. This forward-looking Volume in the Nebraska Symposium on Motivation offers research on dehumanization and objectification as experienced by both the targets and the initiators of these processes for clear insights into their effects on individual mental health and societal well-being. The theories in this book carry wider implications for action, from addressing various forms of pathology to advancing social justice. Included in the coverage: Moving towards a unified theory of objectification and dehumanization. A terror management perspective on the objectification of women. Pity, disgust, other? Varieties of dehumanization. Self-objectification as justification of unjust systems. Treating pets as people/treating people as animals. Considering a pan-theoretical approach to objectification and dehumanization. Objectification and (De)humanization is a groundbreaking reference for social psychologists, cognitive psychologists, clinical psychologists, and experimental psychologists as well as researchers in gender studies, anthropologists, and sociologists. Its depth of analysis is a testament to our continued recognition of our shared humanity.
Philosophy --- Cognitive psychology --- Psychology --- Social psychology --- Personality development --- psychologie --- sociale psychologie --- filosofie --- cognitieve psychologie --- bewustzijn --- persoonlijkheidsontwikkeling --- Psychologie sociale --- Congresses. --- Congrès --- EPUB-LIV-FT LIVPSYCH SPRINGER-B
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restauratie (kunst) --- restoration [process] --- paper [fiber product] --- exhibitions [events] --- Conservation. Restoration --- Materials sciences --- tentoonstellingen --- conservatie --- papier --- Museology --- preserving --- Imprimes --- Photographies --- Papier --- Musées --- Dessin --- Conservation et restauration --- Congres --- Méthodes de conservation --- Congrès
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